美国版画珍品展 AMERICAN PRINTS 1905-1950： PRESSED IN TIME 下载 mobi 免费 pdf 百度网盘 epub 2025 在线 电子书

The first half of the 2oth century was an extraordinarily vibrant moment in the history of American printmaking. Overall, the era marked great changes in the visual arts, and prints recorded concurrent shifts in social and cultural behavior. A new group of social real- ists, some of whom were members of the so-called Ash- can School, began to adopt the life of the streets as their primary subject in prints as well as paintings. At the same time, printmakers began to explore modernist aesthetics, particularly after the Armory Show of 1913. Gradually, artists who came to be called Regionalists focused on rural life as the subject for their prints. America offered limitless opportunities for the imaginations of printmakers. In turn, they captured this exciting phase of United States history with dynamic, innovative work.

Pressed in Time: American Prints 1905-1950 explores

this vital period by presenting rarely seen material from the Huntington Art Collections and from the private collections of Hannah S. Kully and Gary, Brenda, and Harrison Ruttenberg. Both the Kully and Ruttenbergcollections are promised gifts to the Huntington. The publ.ication includes an introduction by Jessica Todd Smith. discussing the history of American prints at the Huntington; short essays by Kevin M. Murphy focusing on specific images and themes; 54 plates; and 5 illustra-tions. The 82 artists represented in the checklist pro- duced works that are as visually striking and technically superb as they are deeply imbued with political and social engagement.

This book was published in conjunction with the exhibition Pressed in Time: American Prints 1905-1950 at the Huntington Library； Art Collections, and Botanical Gardens, October 6, 2007 through ]a.nuary 7, 2oo8.

The project has been made possible by a generous contribution from Steve Martin.

Acknowledgments

American Prints and the Huntington Art Collection

Envisioning the City

The Mood and Atmosphere of the City

Public Life and Entertainment in the City

Public Transportation and Labor

Getting By in Hard Times

Intimate Moments and Small Tdwn Life

Farms and Farming

Desperation and Flight

The California Landscape

World War II

Prints as Illustrations and Advertising

Checklist of the Exhibition

Glossary of Terms

暂无相关内容，正在全力查找中

暂无出版社相关信息，正在全力查找中！

Jessica Todd Smith is the Virginia Steele Scott Curator of American Art at the Huntington Library, Art Collections, and Botanical Gardens. She received her Ph.D. from Yale Uni- versity, where she worked with the collections at the Yale Centerfor British Art and the Yale University Art Gallery. Prior to her graduate studies, she earned her B.A. from Harvard University and worked in the Department of Prints, Drawings, and Photo- graphs at the Museum of Fine Arts, Boston. At the Huntington, Dr. Smith co-curated the exhibition Edward Weston: A Legacy (2oo3) and contributed to the book of the same title.

在线阅读地址：美国版画珍品展 AMERICAN PRINTS 1905-1950： PRESSED IN TIME在线阅读

在线听书地址：美国版画珍品展 AMERICAN PRINTS 1905-1950： PRESSED IN TIME在线收听

在线购买地址：美国版画珍品展 AMERICAN PRINTS 1905-1950： PRESSED IN TIME在线购买

暂无原文赏析，正在全力查找中！

书籍介绍

This volume chronicles the development of printmaking in America through the first half of the twentieth century. During this period of dramatic social and cultural change, printmaking served artists as a cost-effective means of communicating their observations and ideas. Woodcuts, etchings, and lithographs - many illustrated here - by artists such as Thomas Hart Benton, Childe Hassam, Edward Hopper, John Sloan, and Grant Wood addressed a variety of themes, including urbanization, small-town life, the Great Depression, the California landscape, and the two World Wars.The skyscraper, for instance, became a prime subject, admired for its roots in American architecture as well as its associations with national power. Prints frequently portrayed the city's inhabitants, often in crowded spaces where the distinctions between public and private life might become uncomfortably blurred. Depictions of the Depression of the 1930's suggest pessimism about the prospects for social justice in a capitalistic economy. Other prints demonstrate a heroic conception of industry and an idealized view of life in the nation's agrarian heartland.